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2024-2025 Impact Report

A group of adults stand and talk in a brightly lit gallery space, holding papers and folders, while other people walk in the background.

Letter from the Executive Director

Dear Friends,

This past year was one of growth and renewal for Nanaimo Art Gallery. We closed the fiscal year in a stronger position, guided by our mission to engage and inspire community through art.

We launched a trilogy of annual inquiries—asking how we can work, play, and live together. Our first question, How can we work together?, was explored through three compelling exhibitions. Sun Over Swamp featured works by Rebecca Brewer, Azadeh Elmizadeh, Rita Letendre, Gailan Ngan, and Takao Tanabe. ᑕᑯᒃᓴᐅᔪᒻᒪᕆᒃ Double Vision profiled the groundbreaking artistry of Jessie Oonark and her daughters, Janet Kigusiuq and Victoria Mamnguqsualuk. We concluded with shnu’a’th, ᐊᑳᒥᕽ akâmihk, the other side, which brought together the work of Michelle Sound and Snuneymuxw artist Eliot White-Hill, Kwulasultun. We began 2025 by asking, How can we play together?, launching with Trust Fall by Laura Gildner and Jon Sasaki—setting the tone for a playful and participatory year ahead.

Inspired by this spirit of play, our team embraced change. We experimented with new formats, prototyped programs, and refined our offerings in response to community needs. Highlights included the success of our land acknowledgement workshops, a powerful Indigenous takeover of Making Waves, and the continued evolution of our teen programming. Initiatives that did not unfold as we had hoped became valuable opportunities for learning and adaptation. We also welcomed new staff who are helping to shape our programming, operations, and fund development. Our commitment to mentoring young artists and cultural workers continued through meaningful student and intern placements.

Financially, we ended the year with a planned deficit, strategically investing in our first dedicated fund development program. With the addition of a Director of Development, we launched a successful Giving Tuesday campaign, secured new sponsorships, and deepened donor relationships—even as we navigated challenges such as prolonged downtown construction.

I am deeply grateful to our board, staff, volunteers, partners, and community for their commitment and support. Together, we have made this a year of resilience, experimentation, and growth.

With gratitude,

Carolyn Holmes
Executive Director, Nanaimo Art Gallery

Three men stand and converse in an art gallery; two hold drinks, and art is displayed on the walls behind them.

Letter from the Board President

Dear Friends of Nanaimo Art Gallery,

Thank you for taking the time to read this letter. By doing so, you are affirming your commitment to our community, your belief in the vital role that art plays in society, and your support of the Nanaimo Art Gallery. It has been a great honour to serve as Board President this past year, alongside a dedicated group of directors who share a deep passion for our mission.

The past year has flown by and has been filled with momentum, growth, and excitement for what lies ahead. A few highlights include:

  • A renewed partnership with the City of Nanaimo. We successfully renegotiated our 10-year co-management agreement, ensuring that we can continue to operate our current facility while delivering outstanding exhibitions and programs that meet community needs.
  • Progress toward a new gallery. In June, our presentation to City Council resulted in a unanimous vote endorsing our Business Plan and Case for Support. The vision of a new gallery, integrated into a mixed-use development, is no longer just a dream — it is becoming a shared goal for our city.
  • Collaboration in action. Our New Gallery Working Group — bringing together board members, Gallery staff, and City staff — has blossomed into a true partnership, with everyone learning from one another and rowing in the same direction.
  • Engagement with all levels of government. We have held constructive conversations with representatives at the municipal, provincial, and federal levels, laying the groundwork for future support.
  • Strengthening financial sustainability. Our new fund development program is taking shape and positioning the Gallery to be less reliant on government funding while preparing us for the capital campaign required to realize the new gallery.

This year has also reinforced an undeniable truth: our current facility no longer meets the growing demand for our programs. From oversubscribed summer camps, to sold-out artist talks, to the limitations of a single exhibition space that must go dark between shows, it is clear that our community is ready for more. And encouragingly, the community is telling us so — by volunteering, donating, and advocating for a new gallery that will serve Nanaimo for generations to come.
On behalf of the Board, thank you for standing with us. I invite you to stay engaged and lean in as we push forward together. With your continued support, we will achieve the art gallery that this community both needs and deserves.


With gratitude,

Barney Ellis-Perry
Board President, Nanaimo Art Gallery

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Mission & Vision

We engage and inspire community through art.

Nanaimo Art Gallery is a creative hub for Vancouver Island, where we build relationships, connect communities, and effect change through art.

Click Here to learn about our Values

Values

We honour the Snuneymuxw people and the territory on which the Gallery operates, carrying ourselves with qwum qwum uy’shqwalawun: operating in the spirit of “good heart, good mind.”


With this intention, Nanaimo Art Gallery’s values are:
Relevance: our work is grounded in community and place
Relationships: we believe in building, nurturing and sustaining relationships
Innovation: we are at the forefront of creativity with quality programs and exhibitions
Openness: we are a welcoming organization for all

Highlights

Three circular, framed artworks with blue-toned images hang on a white wall; in the background, a group of people gather in a dimly lit gallery.

2024/2025 Exhibitions

A person selects animal-themed stickers from a wooden display filled with various colorful sticker designs.

The Gallery Store extends the visitor experience at Nanaimo Art Gallery, offering hand-made products and locally designed items by artists and artisans from the coastal region and throughout the province. Despite Commercial Street construction, the Gallery Store earned $48,217 in gross sales during 2024/25. Over $13,000 in consignment fees were paid to artists, most of them local. More support went to artists who were retail suppliers. 

In June 2024, we hosted our first Indigenous Market, increasing both awareness and support for our local Indigenous community. In December 2024, we also hosted our annual Winter Weekend Holiday Market, increasing awareness for the Store and collaborating with the downtown Nanaimo business community. Members received 15% off regular sales in the Store during the Holiday Market. Throughout the 2024/25 fiscal year over 130 artists and small businesses were represented in The Gallery Store.

A group of people sit and stand around a table with art supplies, papers, and colorful name tags in a bright, modern room.

Each year, Nanaimo teens join the Youth Art Collective (formerly Dazzle Camouflage), a school-year–long program that bridges the gap between high school art classes and advanced artistic practice. Designed for young people eager to grow their skills and knowledge, the Collective nurtures both personal passion and pathways to post-secondary study or creative careers. Youth programs at Nanaimo Art Gallery provide teens with a safe and supportive environment to develop self-expression and strengthen social skills. Funding in 2024-2025 from The Edwina and Paul Heller Memorial Fund enabled us to provide full or partial bursaries to those who face financial barriers to participation. 

In 2024–2025, 12 teens participated in the eight-month program, experimenting with a wide range of techniques and mediums. Their experience was enriched by visits with professional artists, including exhibiting artist Eliot White-Hill, Kwulasultun, who toured them through his exhibition shnu’a’th, ᐊᑳᒥᕽ akâmihk, the other side, presented alongside work by Michelle Sound. Most importantly, teens were encouraged to pursue their own interests and artistic voices. With the guidance of our Learning & Engagement team, the group developed a collective exhibition that reflected these explorations.

The teens discovered a shared interest in filmmaking. Thanks to our regional artist network, we connected them with local filmmaker Jules Molloy, who mentored the group in producing an original film as part of their final exhibition.

Of his experience, Jules shared this: “Guiding the filmmaking workshop sessions with the [teens] was an incredible experience. The creative energy, ideas, curiosity and collaboration that the groups brought to the table was beyond my expectations. Every session the room was buzzing and filled with infectious laughter, and I’m so proud of what they created and shared with the world.”

These programs are vital because they provide teens with safe, supportive spaces to express themselves, build resilience, and find belonging at a time in life when community connection can make all the difference.

A child wearing a yellow hat and orange shirt uses a block printing tool on paper at a table with ink trays and craft supplies.

For nearly 40 years, Nanaimo Art Gallery has been delivering art education to students across Central Vancouver Island (School Districts 68 and 69). In 2024–2025, our School Programs reached 2336 participants.

Through this work, we created meaningful employment for artists. Our program includes two key streams: Artists in the Schools, where professional artists in music, dance, theatre, and visual arts lead hands-on creative learning in classrooms; and Gallery Tours & Workshops, where students explore exhibitions and make art in our dedicated studio, Art Lab.

These programs matter because they bridge gaps in school arts education at a time of shrinking budgets and growing demands on teachers. Research shows that arts participation reduces stress, builds resilience, and improves collaboration and critical thinking. At the Gallery, we ensure programs are accessible to all learners, including neurodivergent and differently-abled students, fostering confidence, self-pride, and creative expression. Our reach extends to students from Nanaimo, Ladysmith, Gabriola Island, Lantzville, Parksville, Nanoose Bay, Coombs, Errington, and Qualicum Beach. As one participating teacher shared: “Thank you for the wonderful exhibit tours. Our students learned a lot, and we appreciate the way you engaged them with the art and got them involved in creating their own.”

A large abstract wall sculpture made of layered, irregularly shaped fabric pieces in shades of blue, beige, black, and red, assembled on a white background.

Nanaimo Art Gallery has a permanent collection of 342 artworks by contemporary artists. Acquisition of new works are guided by an Acquisition Committee, composed of staff, community members, and Directors of the Board. Acquisitions are considered according to the alignment of the work and artist with the mandate of the organization, and efforts to ensure a diversity of artists is a priority. 

In 2024, Nanaimo Art Gallery acquired a large scale sculptural quilt by Tau Lewis.

Tau Lewis is one of the most exciting Canadian artists working today. Her spectacular and meaningful artworks evoke cultural, spiritual, material, and ancestral connections. She has shown on some of the world’s biggest stages, including the Venice Biennale, but she also exhibited at Nanaimo Art Gallery in 2019 when she made artwork in response to our watery environments for the exhibition Estuary. It feels good to be blue in front of you is a new work from the same series. This is also the first artwork by a Black woman in Nanaimo Art Gallery’s permanent collection. An inclusion that is long overdue.


It feels good to be blue in front of you

(2024, Repurposed denim, fur, and assorted fabric; acrylic paint and finisher; and coated nylon thread, 158 3/4″H x 73 1/4″W)

To learn about Tau Lewis and the work, It feels good to be blue in front of you, please click here.

Our Team

  • Barney Ellis-Perry (President)
  • Keith Kerrigan (Vice President)
  • Debra Jacklin (Past President)
  • Tina He (Treasurer)
  • Katie Ganassin
  • Christine Johnson
  • Signy Madden
  • Chris Midgely
  • Michael Ribicic
  • Maxwell Stevenson

Administrative Team:
Executive Director: Carolyn Holmes
Director of Development & Communications: Rowen Warrilow (to July 2024) / Karen Bannister (joined August 2024)
Administrative Coordinator: Aaramë Robillard
Marketing & Communications Coordinator: Dana Gage
Visitor and Retail Services Coordinator: Mary Anne Molcan
Visitor and Retail Services Representatives: Jennifer Pierce, Gillian Chandler, Cheyenne Maguire, and Sarah Robinson

Curatorial Team:
Artistic Director & Curator: Jesse Birch
Gallery Technician: Skyler Dietze
Curatorial Intern: Christine Battye
Collection Project Assistant: Darci-Li Morrison (Summer 2024)

Learning & Engagement Team:
Director of Learning & Engagement: Aisha Hamis
Interim Director of Learning & Engagement: Catherine Hallam (from February 2025)
Learning & Engagement Coordinator: Yvonne Vander Kooi (to December 2024) / Nic Cooper (from February 2025)
Indigenous Engagement Coordinator: bailey macabre
Learning & Engagement Facilitators: Grace Comeau, Pete Kytwayhat, Harmony Riddel and Sophie Roe
Art Education Assistants: Sonam Maki and Hannah Macza (Summer 2024)
Community Engagement Assistant: Kali McWhinnie (Summer 2024)

Christine Battye, Ren Bouwmeester, Chimera Carew, Daria Ellerman, Sophia Gjelsvik, Kuraki Guo, Lindsay Handlen, Bill Holmes, Nathaniel Holmes, Deborah Hudson, Masoud Jalili, Fatemeh Jiriaee, Dovid Kark, Ethan LaBounty, Yijun Liu, Sloane MacLean, Teagan MacLean, MJ McGregor, Soul Neidrauer, Ruby Neumann, Thea Neumann, Sarah Pelletier, Jennifer Pierce, Amy Pye, Philippe Roy, Emily Russell, Seraphine Simpson, Jaime-Brett Sine, Lori Wanhill, and Benjamin Warner

ćuý'ulhnamut

ćuý’ulhnamut

Nanaimo Art Gallery is situated in the traditional, ancestral, and unceded territory of Snuneymuxw First Nations, and we are grateful to operate on Snuneymuxw territory.

ćuý'ulhnamut

ćuý'ulhnamut

Nanaimo Art Gallery is situated in the traditional, ancestral, and unceded territory of Snuneymuxw First Nations, and we are grateful to operate on Snuneymuxw territory.